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 U2 stuff on a Boss GT8
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PaulH
Gold Member

535 Posts

Posted - 02/18/2009 :  10:38:52  Show Profile  Visit PaulH's Homepage  Reply with Quote
Having ditched most of my traditional pedals for a GT8, I've been programming my own stuf into it.

Anyway, I also decided to have a crack at getting U2's Zooropa sound.

Here's my result...
http://www.youtube.com/watch?v=HivleLL4iPA

zerksies
Double Platinum Member

USA
3406 Posts

Posted - 02/18/2009 :  12:53:28  Show Profile  Send zerksies an AOL message  Click to see zerksies's MSN Messenger address  Send zerksies a Yahoo! Message  Reply with Quote
not much of a fan of u2 buy interesting
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Dr. Bob
Moderator

Australia
6593 Posts

Posted - 02/18/2009 :  14:28:24  Show Profile  Visit Dr. Bob's Homepage  Reply with Quote
Hi PaulH

How many hours of programming. testing time was involved on that one patch?

I'm still coming to Technical grips with mine...

Regards Dr. Bob
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PaulH
Gold Member

535 Posts

Posted - 02/18/2009 :  17:40:36  Show Profile  Visit PaulH's Homepage  Reply with Quote
It took a couple of hours.
I've been using delays for rhythms & sequences for years, so sorting the two delay times was straight forward.
That's normally the hard part with U2.

Main effect is the obviously the Autowah.
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starr36
Platinum Member

Canada
1172 Posts

Posted - 02/18/2009 :  20:27:13  Show Profile  Visit starr36's Homepage  Reply with Quote
eek ... and I was just thinking about getting a GT8 or a GT10 ... my only question is ... How do you find time to tweak those mfx units???

By the way, paul, great work programming... you got a good watery effect going with the original studio version a drier more distinctive auto wah. Those staggered delays edge does are nutty to break down!

Edited by - starr36 on 02/18/2009 20:32:49
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PaulH
Gold Member

535 Posts

Posted - 02/18/2009 :  21:51:36  Show Profile  Visit PaulH's Homepage  Reply with Quote
They take no longer to programme than sitting with a row of pedals and then starting to change the knobs one by one!
Thr GT8 is actually very easy to use & programme.

Now, programming my Korg Triton takes hours once I get to some of the serious deep sub-menus.
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bosshog
Silver Member

Canada
493 Posts

Posted - 02/21/2009 :  20:59:50  Show Profile  Reply with Quote
Those staggered delays?

Can you give an example?
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PaulH
Gold Member

535 Posts

Posted - 02/22/2009 :  11:57:54  Show Profile  Visit PaulH's Homepage  Reply with Quote
Some typical staggered delay settings...

You'll need to split the signal into 2 delay units [Unless your delay can do independant L/R delays] these then feed 2 seperate amps.

I always have both delay repeat levels at 100% and each having about 5-10 repeats (adjusted to suit).




Typical times:

Method A
Split guitar signal into 2 delays (both mono delays).
Delay L: set to quarter beats (you can use this to keep time)
This feeds Amp 1.

Delay R: set to dotted eigths
This feeds Amp 2.




Method B
Delay 1: this must have dual outputs, set up to do a wet/dry output.
Again, set the time to quarter beats with just 2-3 repeats.
The dry signal is fed to Amp 1.

The wet (delay repeat) is fed to delay 2.
Delay 2: this is a mono delay set to dotted eights.
This feeds Amp 2.


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bosshog
Silver Member

Canada
493 Posts

Posted - 02/23/2009 :  00:16:09  Show Profile  Reply with Quote
Thanks Paul...

Now I know
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DeFrag
Moderator

USA
3409 Posts

Posted - 02/23/2009 :  01:25:34  Show Profile  Visit DeFrag's Homepage  Click to see DeFrag's MSN Messenger address  Reply with Quote
http://www.amnesta.net/edge_delay/
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FRANZONI
Double Platinum Member

Ireland
3543 Posts

Posted - 02/25/2009 :  15:30:22  Show Profile  Visit FRANZONI's Homepage  Reply with Quote
Great sound..........
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FunkenGrooven
Silver Member

USA
360 Posts

Posted - 02/25/2009 :  20:33:31  Show Profile  Visit FunkenGrooven's Homepage  Reply with Quote
quote:
Originally posted by PaulH

Some typical staggered delay settings...

You'll need to split the signal into 2 delay units [Unless your delay can do independant L/R delays] these then feed 2 seperate amps.

I always have both delay repeat levels at 100% and each having about 5-10 repeats (adjusted to suit).




Typical times:

Method A
Split guitar signal into 2 delays (both mono delays).
Delay L: set to quarter beats (you can use this to keep time)
This feeds Amp 1.

Delay R: set to dotted eigths
This feeds Amp 2.




Method B
Delay 1: this must have dual outputs, set up to do a wet/dry output.
Again, set the time to quarter beats with just 2-3 repeats.
The dry signal is fed to Amp 1.

The wet (delay repeat) is fed to delay 2.
Delay 2: this is a mono delay set to dotted eights.
This feeds Amp 2.






Can the DD20 do method B?
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PaulH
Gold Member

535 Posts

Posted - 02/25/2009 :  23:58:34  Show Profile  Visit PaulH's Homepage  Reply with Quote
No, the DD20 can't actually do either method!

It has no capability to dial in 2 independant delays L and R.
The new TC Electronics ND-1 Nova Delay can do independant L/R delays

In terms of method B, that needs two delays chained.
The DD20 can get something that sounds a bit like it in mono with the Tape mode, and the setting on dual heads.
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